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Friday, 26 August 2011

The Absurd Records Collection 1979 - 1980



ABSURD 1 - Blah Blah Blah - "In The Army" / "Why Diddle?" 1979

There are few records when you remember where you were when you first hear them, and for me this is one of them.
I was in bed in a room in the Angel Hotel in Whitby Yorkshire,aged 15 listening to the John Peel Show. when Peel played this, my impressionable 15 year old ears stood attentively and absorbed the madness eagerly.This record is still guaranteed to create some kind of reaction in the listener, and that is the definition of great art;Full Stop!...yes i know i put a semi-colon.(ps Thats "Period"! for our American readers out there).

Whitby is famous for featuring in Bram Stokers Dracula novel, which has nothing to do with this tune, but just to emphasise that this music has absolutely nothing in common with the awful "Dracula-fest" gothic metal festival that occurs in this town of a winter.

"We got guns down our socks,in our underpants..........we got guns in our toilets,guns in our cars.
We got bombs underneath the Stereo.......and we're coming to bash you in!"."

"We got Bombs underneath the stereo and we're coming to bash you in!", what a line! Obviously improvised in a first take, 'cus you just couldn't write stuff like that.

"Why Diddle?" is even insaner,but is lessened by its lack of shock value. A throbbing Electro-concrete improv piece, that deserves recognition amongst electronic music students everywhere.


ABSURD 2 - Eddie Fiction - "U.F.O. part2" / "U.F.O. part1" 1979

Northern comedy set to a minimal electronic backing is not normally my cup of beef dripping. But this strangely amuses, as it parodies yer average mancunian on an alien world,and the moronic stuff they would miss, like the Tele, chips, darts, and,of course, the Pub. And don't forget U.F.O. does NOT stand for Unidentified Flying Object in this tune; its a double entendre alluding to a popular expleative suggesting that one leaves the area immeadiately.
(Sorry everyone I haven't got the b-side, but according to the etching on the vinyl,it hasn't got a b-side!...so you won't miss anything!)

ABSURD 3 - The 48 Chairs - " Snap it Around " / "Psycle Sluts " 1979

48 Chairs, who are these people?...This is a jolly tune, I can see Nick Kershaw dancing to this, or maybe Pepsi and Shirley. In fact I think I wanna dance to it too........er....maybe not.
The B-side is an instrumental version of the John Cooper Clarke poem by the same name. An instrumental version of a word poem has got to be a first. Clarke even has a writing credit!
Those mancunians are crazy!
ABSURD 4 - Gerry and the Holograms - " Meet the Dissidents" 1979

I have a feeling that all of the releases on Absurd, were made in one afternoon by the same people.
Again,its a minimalist electronic affair, without drums,electronic or acoustic, and some funny sounding vocals. Having said that, this is a good thing, for its not what you put in its ,what you leave out.......like Gerry and the Holograms' obvious influence, namely The residents.
Alas,this is still one of the superior Absurd singles.

Track Listing:

A
Gerry And The Holograms

B
Increased Resistance

ABSURD 5 - Gerry and the Holograms - "The Emporers New Music" 1979

Pranksters,practical jokers, conceptual art,whatever you wanna call it; Gerry and the Holograms second single was.......A conceptual and unplayable record.
Each record was pasted with glue to the inside of the picture sleeve. Two variations of the sleeve exist: with or without the Rough Trade logo. In 1980 a few copies came in a third sleeve variation which was credited to "The Charlie Parkas". Absurd Records label boss (Lawrence Beedle) in quoted as saying "It took the best part of a week to paint and glue them into the bags". The numbers made are unknown but around 500 is the most likely number.
The music itself does not actually exist - rather the records were actually unsold singles from Rabid Records' catalog but with a paste-on Gerry & The Holograms label on one side to fool the buyer that the record actually exists.
What I want to know is,did anyone buy this?

Track Listing
A
Untitled

B
Untitled

ABSURD 6 - The Mothmen - "Does it matter Irene?" /"Please Let Go" 1979

The Mothmen were one of the few Absurd artists who went on to somthing of a career. They appeared on On-U Sound with an LP!....obviously due to the dub/reggae element that they had lurking in their music. And a series of singles and e.p.s on Do it Records, before disappearing in the mid eighties.
This single is sort of a Psychedelic pop meets Dub inside a senile old drunkard females brain. Is quite good in fact.
But,to these ears, the b-side is better. Another falling down classic of stoned sounding free-pop.Include's a section where an almost free-jazz style syncopation enters through the side door of the mental Hospital. Where all normal time signatures fear to tread; this is musical sophistication of the highest commendation. To the untuned ear it sounds like a total mess, but that ear is in a wrong place.Tune your ears please,and train the brain.
(Again thanks to the genius that is the mysterious Styreneboy for providing the B-Side,and the better track of the two.)

GuitarDavid RowbothamGuitar, Bass, Keyboards, VocalsBob Harding, Tony Bowers

ABSURD 7 - Cairo - "I Like Bluebeat." / "Version" 1979

Was this a cynical attempt to cash in the Two Tone phenominon? Its a bluebeat style tune, with a hint of nightboat to cairo era Madness ; is this where they lifted the band name?...er...yes.
I can't stand ska(I hate the irritating you're gonna have fun vibe to it, the forced jollity of it all), and i don't like this,and especially since there's one of those irritating versions on the reverse side......version meaning an instrumental version of the a-side,but with effects added,and the odd tape of gun fire etc. But someone out there might like it.
NO!...I don't like Blue beat.

ABSURD 8 - Naafi Sandwich - "Slice 1 / Slice 2 " 1979

Now this is more like it, two slices of barely logical dementia from the appalingly named Naafi Sandwich.But any group with someone called Sir Freddie Viaduct in it has to be half good.

They also released several cassettes,one of which is included in the download called "Run 1".
'Experimental' is an adequate adjective for this group(?)

Naafi Sandwich – Rum 1 (Cassette 1980):

Muva Dubba
Uranium Geranium
Hoochie Pooch
Yum Yum
Lee Street Bounce

Personnel:
Sir Freddie Viaduct, vocals, bass, guitar, trumpet) and Brenda Kenny (a.k.a. Poly Rhythm, vocals, percussion, drums, keyboards)
ABSURD 10 - Bet Lynch's Legs - " The Good,The Bad, and the Indifferent " 1979

To the citizens of the planet who live outside of the UK, Bet Lynch was a character in a television soap with a predeliction for fake animal skin coats and peroxide blo
nde hair.We very rarely saw her legs because they were always behind the bar of the local pub; she was the bar maid.

Now that slice of UK cultural history over with, we can turn our attention to the group,which contained one of the Smirks,and John Scott from the 48 Chairs. They had a minor hit with the next single.
This record is basically a home made version of "Ghost Riders In The Sky", complete with home organ rythym box, and "good,The Bad and The Ugly" impressions in the background. Were they drunk when they made this?
The B-side is more of the same, sort of a Joe Meek meets elevator music in some obvious tongue in cheek lounge moment, in a pub full of Ennio Morriconi nuts whistling along, clinking beer mugs together, with plenty of man love going on.

Track Listing:

A
Riders In The Sky

B
High Noon

ABSURD 11 - Bet Lynch's Legs - "Some Like it Hot / Some Don't " 1980

The Follow up single, which was the minor hit!
Its like the other single never finished, this is "The Good,The Bad and the Indifferent" parts three and four!
"Some like it Hot" is an underwater version of ennio morriconi's theme to 'The Good,The bad,and the Ugly', very pointless, but maybe that's the point.
"Some Don't" is a further underwater version of the same track; even more pointless. Maybe it's a parable about the meaninglessness of existence? Or maybe its just a pile of shite? I'll leave that up to you.

Track Listing:
A
Some Like It Hot

B
Some Don't
ABSURD 15 - Cairo - " Movie Stars " / " Cuthberts Birthday Treat " 1980

More annoying trend following ska from Cairo, backed by the even worse musical genre, Ragtime Pastische......awful.
This was the final nail in the Absurd coffin,shortly afterwards the label went tits up. But what did you expect for a totally non-commercial enterprise such as this? It started with some timelessly great singles,then petered out into some kind of unfunny genre satire loungecore pointlessness.
But the concept was good,and the artwork was great.

DOWNLOAD THE INSTANT ABSURD RECORDS COLLECTION HERE!
or
DOWNLOAD THE INSTANT ABSURD RECORDS COLLECTION HERE! 





16 comments:

sweet-hooligan said...

Nick,

glad to see you included the mighty Naafi Sandwich in your Absurd round up. The prefix for the Naafi tapes is 'Rum' and I believe there were four tapes in total:
Naafi Sandwich ‘Naafi Sandwich’ RUM1
Nervous Norman & Naafi Sandwich ‘Rockin’ at the Naffi’ RUM 2
Naafi Sandwich ‘1-2-3- Naffi’ RUM 3
Naafi Sandwich ‘Another rum ‘un’ RUM 4
They are included in the cassette round-up in Record Collector next issue...

pinkpressthreat said...

This looks mouthwatering - thanks for posting...I'll leave a link on my Face-ache wall.

Nick Allison said...

Cheers mate.

roberto said...

hi,here you can find Bet Lynch's missing single & track http://www.mediafire.com/?6cny6yasfcxip another great post,cheers

Nick Allison said...

Many thank yous roberto, the post is now complete.I've added them to the download.You have done well.

styreneboy said...

Okay, I've listened to these a few times now and I'll be honest, I'm still not sure what to think of some of these... but 48 Chairs, The Mothmen and NAAFI Sandwich definitely get my vote. Oh, and I'm sorry to see the spammers have found you.

Anonymous said...

Absurd noises, mysterious urges! I like how you put some context in your posts, s'whats missing these days. Styreneboy, you've got your ears on right, nobody in Manchester knew what to make of these either. They seemed to come out of nowhere...a lot of fake names, claims to be from "Essex"...these were all side projects of "bigger" Mancs bands. The idea of "generic absurdity" was commonplace those days, though people do claim it was a dry run for Factory. Really it was more like a witness protection program for our money. (Only 48 Hours were a proper band, so great to hear them live on! They were a stunning girl, a cutting band with Henry Cow chops...and they could only invite ridicule. They made an album but Martin probably convinced Tony some occult market forces would sink it, because he held a grudge, even after they wasted their own b-side on a song Martin falsely claimed publishing on. 48 could've been big, had they not strained under Martin's insistence "Psycle Sluts" needed a slut rendition. (Of course Martin was one of the few truly evil people in punk, and truly deluded, since there was nothing for evil to do with it except make people hate you! Joy Division Notice: no girls on Factory. 48 Chairs could've sold them a few, though they was really too good a band...in a class with Ludus. Martin was a misogynist, pure and simple...I mean his first production was "Bitch" and he made all his money off that chip shop number. Some men'r so bad with girls you want to pray them gay. He cursed us...Ian killed himself partly over guilt he wasn't attracted to his girlfriend. Manc bands all thought they'd finally get some attention, but we had the worst reputation. Liverpool bands all had smashing birds...it's all in the lyrics, so many Factory songs are anti-sex, written by guys who never got laid. Buzzcocks didn't have that problem, but wrote about it to make fun of us, cuz if they was ugly as hell they never worked with Martin! Basically, Ian Curtis would be alive like Julian Cope if Martin had been a blessed homosexual. He always wanted to be Joe Meek, but the boys hated him too. So in keeping with the way he lived his life he castrated himself with technology (drugs) and I hear they buried him in a double-wide coffin.

Actually, Absurd wasn't Martin's idea. It was the Rabid crew (I won't name) who did the poster racket. though I did read where Tony (a wonderful man, one of a kind, did it all for the kids) the name under which Rabid could launder the money they made from their postering racket. (Back then, big labels would pay good money to saturate England with poster adverts. Most cities made this illegal, except in certain spots. Under Suss laws, and the highly paranoid Manc police force, just standing near a paste bucket could win you a week of good cop/bad cop...and what everyone was desperate to avoid: kicked off the dole. Before I hear America laughing, let me remind you (a) being homeless was a crime (b) there was no jobs (c) they'd still make you apply constantly

Nick Allison said...

Whoever wrote the last comment make themselves known please. A most eloquent spot of literature it is too. Ones wishes all comment makers would write in such a way.
I assume the 'Martin' mentioned is Martin 'Zero' Hannett, please correct me if i'm wrong.
Most enlightening,thank you.

David Blunt said...

Great post. I've always been fascinated by the Absurd label. And I just want to add I quite like Cairo and think they were one of the better 2-tone bandwagon jumpers.

Nick Allison said...

Hi David,No relation to James I Hope!?
You`re probably right, but personally I can`t stand Ska of any kind. Forced jollity is not something I appreciate being a miserable sod.

fishesheads said...

absolutely amazing blog. music to my ears here in the u.s. of a.

Nick Allison said...

Pleased to hear that you don't all listen to Meat Loaf and Reo Speedwagon over there in the former colonies. good stuff.

Anonymous said...

I'm gonna ask my mate to play some of this on Globe Gig Radio (on't interweb) on his Monday night show, 'B Side Rock'. I've got some of these on vinyl, but was amazed to find them also on You Tube‽!!!

Jeff said...

PS : I've also got the vinyl LP

"!!?!" A Taster

(recorded at Relentless Studio in 1981). Happy to share if you're interested.

Nick Allison said...

B-side rock eh? Thats my kinda rock!
What vinyl LP are you refering to exactly?
Aint the mediafire link down? I suppose i`ll have to get round to reconstructing my absurd RAR file, and re-up this lot.
Good stuff innit?

Nick Allison said...

This has now been re-upped
.